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The Nikon FM3A is an advanced semi-professional level, interchangeable lens, focal plane shutter, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by the Nikon Corporation exclusively in Japan, on small-volume assembly lines by trained assembly technicians, from 2001 to 2006. The camera was available in two colors: all-black, and satin chrome. The introductory suggested US list price for the chrome body only (no lens) was $820.  
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The '''Nikon FM3<small>A</small>'''<REF> The name officially used by Nikon has the capital letter "A" in a smaller font than "FM3". The name is commonly written "FM3A" or "FM3a". </REF> is an advanced semi-professional-level, interchangeable-lens, [[focal plane shutter|focal-plane shutter]], [[35mm]] film, [[SLR|single-lens reflex]] camera. It was manufactured by [[Nikon]] exclusively in Japan, on small-volume assembly lines by especially trained assembly technicians, from 2001 to 2006. The camera was available in two finishes: black, and satin chrome. The introductory suggested US list price for the chrome body only (no lens) was $820.  
  
 
==History==
 
==History==
Though standing solidly in the [[Nikon FM]] tradition of fully manual compact [[SLR]]'s, the '''FM3a''' also fills the gap in the [[Nikon]] line-up that was created when the intelligently automated and much lamented [[Nikon FE2|FE2]] was discontinued in 1989.  The FM3a is the first camera in the fully mechanical FM series to have Aperture Priority AE and TTL flash functions. It is the ideal body to backup more highly automated film and digital Nikons, and its compact size and ruggedness will make it the first choice of many travelers, hikers, wilderness photographers, outdoorsmen, and the like. The Nikon FM3a is the best compact Nikon body ever, and it is likely to be the last manual focus fully-mechanical Nikon SLR that uses film. 
 
  
==Construction and Features==
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Though solidly in the [[Nikon FM]] tradition of fully manual compact [[SLR]]s, the FM3<small>A</small> was also intended to answer the demand for a replacement for the famous [[Nikon FE2|FE2]], discontinued in 1989. The FM3<small>A</small> was the first camera in the FM series to have an additional electronic mode for both aperture-priority automatic exposure (AE) and through-the-lens ([[TTL]]) flash. The camera proved popular with photographers as a rugged travel camera and as a backup for more fragile, highly automated film and [[digital camera]]s.
The FM3a is built to a level of worksmanship and material quality unheard of in most cameras produced today. It shares the advantages of not only the FM, but the FM2n, both generally regarded as two of the most reliable cameras ever built (both in terms of operation under extreme conditions and in day-to-day reliability reports from repair shops and magazine surveys). It has an extremely strong body of copper silumin alloy. The electronics are well protected within the body and of extremely high quality, including the flexible circuits. The FM3a's film transport consists of high-strengh hardened metal gears and moving parts, mounted on clusters of ball bearings. The modern vertical metal shutter utilizes precision tapered high-strength aluminum alloy blades and oilless self-lubricating bearings. A roller bearing assists the far side film transport. The guide rails are wide, precisely machined and made of stainless steel. The mirror frame is titanium and very solid, the mirror is large to reduce chances of vignetting with super-telephotos of up to 800 mm, and uses the same mechanism found on Nikon's pro F2, with some modern improvements designed to further reduce effects of vibration and mirror bounce. The camera features Nikon's famous close tolerance assembly and minimal space lubrication, meaning that it will reliably operate in temperature extremes of -40C to +50C. This worksmanship has a practical side - Nikons have accompanied more photographers to extreme environments - the summit of Mount Everest and the depths of the Saharan Desert - than any other SLR camera.
 
  
The FM3a has a hybrid shutter that operates either mechanically or electronically, depending upon the selected mode of operation. In manual mode when mechanically timed, the shutter features a range of speeds from 1 full second to 1/4000 of a second, T and B. In AE mode when electronically timed, the shutter steplessly selects shutter speeds from well below the marked 1 second to a high speed of 1/4000 second. In either mode the camera employs Nikon's classic 60/40 center-weighted TTL metering, and features TTL flash metering with a sync speed of up to 1/250 second.  There is an AE lock button on the back of the camera and a Flash Compensation button on the left of the lens mount. The FM3a has a self-timer which automatically raises and locks the mirror before the exposure is made, a hot-shoe, and a PC connection. The camera uses a standard cable release, and is the first manual focus Nikon SLR to feature manual or automatic DX film speed indexing. The film speed can be read off the film canister through a transparent window on the back of the camera.
+
==Construction and features==
 +
 
 +
The FM3<small>A</small> was built to a level of workmanship and material quality beyond that of most competitive cameras available during its short production run. It had the advantages of the FM and FM2n, generally regarded as two of the most reliable cameras ever built (both in terms of operation under extreme conditions and in day-to-day reliability reports from repair shops and magazine surveys). The FM3<small>A</small> has an extremely strong body of copper silumin alloy. The electronics are not only well protected within the body but are of extremely high quality, including the flexible circuits.
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The camera's film transport consists of strong, hardened metal gears and moving parts, mounted on clusters of low-friction ball bearings. The modern vertical metal shutter uses precision-tapered strong aluminium alloy blades and oilless self-lubricating bearings. A roller bearing assists film transport. The guide rails are wide, precisely machined and made of stainless steel. The mirror frame is titanium and very solid. The mirror uses the same mechanism found on the [[Nikon F2]], with some modern improvements designed to further reduce effects of vibration and [[mirror slap|mirror bounce]].
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 +
The FM3<small>A</small>, like older Nikon SLR cameras, has a close-tolerance, low-friction design requiring minimal lubrication, and so can reliably operate in temperature extremes of -40C to +50C. This zealous workmanship has a practical side: Nikons have accompanied more photographers to extreme environments &mdash; the summit of Mount Everest and the depths of the Saharan Desert &mdash; than any other SLR camera.
 +
 
 +
The FM3<small>A</small> has a hybrid shutter that operates either mechanically or electronically. In manual mode it is mechanically timed, from 1 to 1/4000 second, T, and B. In automatic-exposure mode when electronically timed, it steplessly selects shutter speeds from 1 &ndash; 1/4000 second. Either way the camera employs Nikon's standard 60/40 center-weighted [[TTL]] metering, and has TTL flash metering with a [[flash sync|sync]] speed of up to 1/250 second.  There is an AE lock button on the back of the camera and a Flash Compensation button on the left of the lens mount. The FM3a has a [[self-timer]] which automatically raises and locks the mirror before the exposure is made, a hot-shoe, and a PC connection. The camera uses a standard cable release, and is the first manual-focus Nikon SLR to have automatic [[DX Encoding|DX]] (as well as manual) [[film speed]] indexing. The film speed can be read off the film canister through a transparent window on the back of the camera.
  
 
==Operation==
 
==Operation==
  
===Manual Operation===
+
===Manual operation===
The meter of the camera is switched on when the Film Advance Lever is moved away from the body, and the shutter lightly depressed. It cuts itself off in about 15 seconds. In manual mode exposure is set by matching the thin smoothly swinging needle in the left of the viewfinder with the wide blue, transparent bar that indicates the selected shutter speed.  In this ingeneous finder, it is easy to see the number of stops that the camera is over or under the correct exposure. The only metering pattern available is the old standard Nikon 60/40 pattern. As with many Nikon SLR, the selected F-Stop can be read right off the lens in use through the Aperture Direct Readout (ADR) at the top of the viewfinder. Like FM2n and its predecessors the FM3a allows  manual operation with a fully mechanical shutter.  If the batteries die in an FM3a, the photographer still has full uses of every marked shutter speed on the shutter speed dial. 
 
  
===AE Operation===
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The meter of the camera is switched on when the [[film advance]] lever is moved away from the body and the shutter lightly depressed. It cuts itself off in about 15 seconds. In manual mode exposure is set by matching the thin smoothly swinging needle in the left of the viewfinder with the wide translucent blue bar that indicates the selected shutter speed. In this ingenious finder, it is easy to see the number of stops by which the camera is over or under the correct exposure. The only metering pattern available is the old standard Nikon 60/40 pattern. As with many Nikon SLR cameras, the selected F-stop can be read right off the lens in use through the Aperture Direct Readout (ADR) at the top of the viewfinder. Like the FM2n and its predecessors the FM3<small>A</small> allows manual operation with a fully mechanical shutter. If the batteries die in an FM3<small>A</small>, the photographer still has full use of every shutter speed marked on the dial.
Like the [[Nikon FE|FE]] and [[Nikon FE2|FE2]] the FM3a it is also capable of Aperture Preferred Auto Exposure Control. The photographer selects "A" on the shutter speed dial, and switches on the meter in the normal way. The photographer then selects the F-Stop on the lens, and the camera body selects the shutter speed steplessly using the electronic timing of its hybrid shutter. Shutter speeds are indicated by the thin needle that swings up and down the aforementioned scale on the left of the view-finder. Again, the aperture is visible thorough the ADR. This mode also utilizes the 60/40 center-weighted metering. Therefore under certain conditions, as when the subject is strongly backlighted, it is essential that the photographer meter selectively, lock the exposure with the AE lock button on the back of the camera, and recompose the shot.  
 
  
The highest-shutter speed in the AE range is 1/4000, but speeds extend well below the 1 second marked in the viewfinder. It should be noted that speeds longer than 1 second must be accessed through the AE function of FM3a. This is a departure from the [[Nikon FE2|FE2]] which like the [[Nikon F3|F3]] allowed manual selection of shutter speeds up to 8 seconds.  In AE mode, during long exposures, between the sound of the shutter opening and the shutter closing, the FM3a's is silent, for in this mode the camera electronically times the exposure. No wheels and gears here.  
+
===AE operation===
 +
Like the [[Nikon FE|FE]] and [[Nikon FE2|FE2]] the FM3<small>A</small> is also capable of [[aperture priority|aperture-preferred]] auto exposure control. The photographer selects "A" on the shutter speed dial, switches on the meter in the normal way, and selects the F-stop on the lens, and the camera body selects the shutter speed steplessly. Shutter speeds are indicated by the thin needle that swings up and down the scale on the left of the viewfinder. Again, the aperture is visible thorough the ADR. This mode also uses the 60/40 center-weighted metering.  
  
==Intelligent Automation==
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The highest shutter speed in the AE range is 1/4000, but slow speeds extend well below the 1 second marked in the viewfinder, as long as the camera is in AE mode. (In manual mode, speeds slower than 1 second require use of 'B'. This is a departure from the [[Nikon FE2|FE2]], which like the [[Nikon F3|F3]] allowed manual selection of shutter speeds up to 8 seconds.) The FM3<small>A</small>'s electronic operation is silent during long exposures, except for the noise of the shutter opening and closing.<!-- What other noise would one expect? That of the mirror? (But no, that's mechanical.) And is silence-aside-from-the-noise-of-the-shutter worth mentioning? | I imagine that some electronic cameras of an early generation emitted an annoying buzz for the duration of the exposure. However this sentence is uninteresting and should be scrapped. -->
  
The AE automation of the FM3a provides the photographer with thoughtful automation. Though Nikon has long since adopted other Auto Exposure Modes, including Shutter Priority, Program, and Variable Program, many aging Nikonians still think that in a fast changing picture taking situation nothing beats a Nikkor lens with an aperture selection ring and Aperture Preferred Automation for the right combination of quickness and control.  
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The AE automation of the FM3<small>A</small> provides simple convenience in taking photographs in fluid situations, while still allowing some control by the photographer. Though Nikon has long since adopted other automatic exposure modes &mdash; including [[shutter priority]], program, and variable program &mdash; many photographers still find the simpler semi-automatic AE feature of the FM3<small>A</small> appealing.
  
==Advanced Flash==
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==Flash==
  
The really exciting thing about the FM3a is the up-to-date way it allows the photographer to use flash. The camera adds TTL flash to the FM2n and more control to the TTL flash capabilities of the FE2. Mount any Nikon TTL flash from a old SB-15 to the latest SB-800 on the FM3a and switch it on. In A Mode the FM3a automatically switches to 1/250 second shutter speed and measures the flash TTL.  In Manual Mode the FM3a is ready to measure the flash in TTL mode, but it also continues to meter normally, allowing the photographer to select any speed from 1 second to the top flash-sync speed of 1/250 second. An additional feature is a Flash Compensation button placed on the left of the lens mount.  Press it as you focus, compose, meter, and shoot. The camera will automatically take -1 EV off any mounted Nikon compatible TTL flash as it fires.  Naturally both Nikon and 3rd party flash units can be mounted in the FM3a hot-shoe and used in Manual or Non-TTL Auto modes.  When mounted compatible units activate a ready light in the viewfinder. An LED glows steadily when the flash is ready, and blinks briefly after the flash is fired and correct exposure is achieved. If the LED blinks in rapid succession, the shot was underexposed. The photographer needs to reshoot using a larger aperture, or perhaps even get closer to his or her subject.
+
Another FM3<small>A</small> innovation over earlier FM/FE models was in flash operation. The camera adds TTL flash, not found on its predecessor the FM2n, as well as more control to the TTL flash capabilities of the old FE2. Any Nikon TTL flash from a old SB-15 to the latest SB-800 can be used on the camera. In 'A' mode the FM3<small>A</small> automatically switches to 1/250 second shutter speed and measures the flash through the lens.  In manual mode the FM3<small>A</small> is ready to measure the flash in TTL mode, but it also continues to meter normally, allowing the photographer to select any speed from 1 second to the top flash-sync speed of 1/250 second. Held down as the subject is metered and photographed, a Flash Compensation button to the left of the lens mount will automatically apply a compensation of -1 EV to any mounted Nikon-compatible TTL flash as it fires.  Both Nikon and third-party flash units can be mounted in the FM3<small>A</small>'s hot shoe and used in manual or non-TTL auto modes.  When mounted, a compatible flash will activate a ready light in the viewfinder. An LED light also glows steadily when the flash is ready, and blinks once after the flash is fired and correct exposure is achieved. The FM3<small>A</small> signals underexposure by blinks of the LED in rapid succession. The FM3<small>A</small> does not have all flash capabilities of modern AF cameras, such as the ability to program flash compensation into the flash itself.
 
 
Few manual focus cameras are the equal of the FM3a for sophisticated flash work, but this little camera that can is no F5.  Indeed when it comes to flash, it is not even an N70, for it cannot take advantage of some of the features built into more sophisticated Nikon flashes units. For instance, when using the SB-28, the photographer will not be able to program flash compensation into the flash itself.  
 
  
 
==Accessories==
 
==Accessories==
  
Like the FM2n and FE2, the FM3a is designed to mate with the venerable MD-12 motor drive. It also utilizes the full range of other accessories available for compact Nikons including diopter correction lenses, a data-back, bellows, extensions rings, flash-units, interchangeable focusing screens, etc.  One can do almost any kind of SLR photography with an FM3a, the TTL AE exposure is a real boon to when using various combinations of extension rings, bellows, filters, and converters.  
+
Like the FM2n and FE2, the FM3<small>A</small> is designed to mate with the old MD-12 motor drive. It also takes the full range of other accessories available for compact Nikons including [[diopter|diopter correction]] lenses, a data back, bellows, extensions rings, flash units, and interchangeable focusing screens.  
  
 
==Lenses==
 
==Lenses==
  
The FM3a can use the full range of Nikkor AI, AIS, P, AF, and AF-D lenses.  In AE mode the FM3a can mount and use a G lens, but only at the widest aperture of the lens.  Unlike the original FM and FE cameras, the FM3a cannot mount Non-AI lenses unless they have been converted to AI specifications.  Mounting a Non-AI lens can cripple or damage the camera by binding the metering tab. With Perspective Control lenses this gets tricky.  The 28mm F3.5 PC is always o.k. to mount.  The 35mm F3.5 PC is never o.k. to mount.  Earlier versons of the 35mm F2.8 and 28mm F4 are suspect.  Later versions of both lenses are o.k.  
+
The FM3<small>A</small> can use the full range of Nikkor AI, AIS, P, AF, and AF-D lenses.  In AE mode the FM3<small>A</small> can mount and use a G lens, and gives a bright full aperture image but actually operates at the smallest aperture of the lens. You can only correctly expose pictures with 'stop down' metering and AE lock to hold the metering when the exposure is taken.  Unlike the original FM and FE cameras, the FM3<small>A</small> cannot mount non-AI lenses unless they have been converted to AI specifications.  Mounting a non-AI lens can cripple or damage the camera by binding the metering tab, and this is made more problematic with Nikon's Perspective Control lenses &mdash; the 35/3.5 PC cannot be used at all.  Earlier versons of the 35mm F2.8 and 28mm F4 may or may not fit and operate properly, though later versions of both lenses work acceptably.  
  
Finally, when considering lenses, one ought to note that the FM3a is frequently traded as a kit with a 45mm F2.8P lens, reportedly a Tessar formula.  An article in the March 2002 issue of ''Popular Photography Magazine'' called the 45mm F2.8 one of the best 35mm normal lenses ever tested.  It is a superb lens, compact and sharp, and it looks great on the camera, especially with its unique concave hood.  Of course, there are other options such as compact Nikkor wide-angles and normals, including the flat-field 55mm F2.8 Micro-Nikkor.   
+
The FM3<small>A</small> was frequently sold as a 'kit' camera with a 45mm F2.8P lens, reportedly a Tessar formula.  An article in the March 2002 issue of ''Popular Photography Magazine'' called the 45mm F2.8 one of the best 35mm normal lenses ever tested.  It is a superb lens, compact and sharp, and it looks great on the camera, especially with its unique convex hood.
 +
 
 +
==Market Value==
 +
 
 +
Because of its versatility and ability to function in both electronic and mechanical modes, the FM3<small>A</small> is desirable and holds value in the used marketplaceThe FM3<small>A</small> was itself a response from Nikon to the FE2 and FM2's increase in values after their discontinuance coinciding with the introduction of auto-focus cameras. After the emergence of digital cameras, Nikon then discontinued the FM3<small>A</small>, leading to a similar effectAccording to one vendor's estimate tool, a used FM3<small>A</small> in good working condition can cost in excess of $650.00.
  
 
==Conclusion==
 
==Conclusion==
  
The FM3a appeals to a range of people from beginning photographers who want to learn the basics, to advanced photographers who want the portability and reliability of a small, manual-focus SLR with TTL metering, sophisticated flash capabilities, and outstanding handling qualities.  It may be no coincidence that the footprints of the Nikon FM/FE series and the Leica M camera are so very nearly the same. The FM3a has been called a modern classic, and rumors abounded that Nikon once considered a digital version. Though FM3a sales remained steady, they were miniscule compared to Nikon's other cameras, and increasing costs forced Nikon announced discontinuation of the FM3a on 11 January 2006.
+
The FM3<small>A</small> appeals primarily to photographers interested in full control over their photography, as well as reliability and durability in a camera to be used hard out of doors.  The camera's classic metal construction also attracted customers wanting a camera built to earlier generation standards.  It was no coincidence that photographers devoted to cameras such as the [[Leica]] M also found the FM3<small>A</small> attractive. Nikon was rumored to be considering a digital successor to this "modern classic", though this has not yet (early 2007) happened. Though FM3<small>A</small> sales remained steady, they were miniscule compared to Nikon's other cameras, and increasing costs led Nikon to announce it was discontinuing production and sale of the FM3<small>A</small> on January 11, 2006.
 +
 
 +
== Notes ==
 +
<references />
  
 
== Links ==
 
== Links ==
* [http://www.ne.jp/asahi/japan/manual-camera/fm3a1.htm Manual Camera User's Opinion]
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In English:
 +
* [http://imaging.nikon.com/history/chronicle/history-fm3a/index.htm Camera Chronicle: Nikon FM3A], at Nikon's [http://imaging.nikon.com/history/ History & Technology site]
 +
* [http://imaging.nikon.com/products/imaging/lineup/filmcamera/slr/fm3a/ FM3A Archive site] at the [http://imaging.nikon.com/products/imaging/index.htm Nikon Imaging official website]
 +
* [http://www.ne.jp/asahi/japan/manual-camera/fm3a1.htm FM3A opinion] at N.&nbsp;Maekawa's [http://www.ne.jp/asahi/japan/manual-camera/ Manual Camera] (main page in Japanese)
 +
* [http://www.butkus.org/chinon/nikon/nikon_fm3a/nikon_fm3a.htm Nikon FM3a instruction manual - English] at M.Butkus' www.orphancameras.com
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{{nikon}}
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{{Nikon 35mm SLR}}
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{{Camera Grand Prix}}
  
[[Category: 35mm SLR]]
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[[Category: Japanese 35mm SLR]]
[[Category: Japan]]
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[[Category: Nikon|FM3A]]
[[Category: Nikon]]
 
 
[[Category: N]]
 
[[Category: N]]
[[Category: F|Fm3a]]
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[[Category: F|FM3A Nikon]]

Latest revision as of 07:23, 10 December 2021

The Nikon FM3A[1] is an advanced semi-professional-level, interchangeable-lens, focal-plane shutter, 35mm film, single-lens reflex camera. It was manufactured by Nikon exclusively in Japan, on small-volume assembly lines by especially trained assembly technicians, from 2001 to 2006. The camera was available in two finishes: black, and satin chrome. The introductory suggested US list price for the chrome body only (no lens) was $820.

History

Though solidly in the Nikon FM tradition of fully manual compact SLRs, the FM3A was also intended to answer the demand for a replacement for the famous FE2, discontinued in 1989. The FM3A was the first camera in the FM series to have an additional electronic mode for both aperture-priority automatic exposure (AE) and through-the-lens (TTL) flash. The camera proved popular with photographers as a rugged travel camera and as a backup for more fragile, highly automated film and digital cameras.

Construction and features

The FM3A was built to a level of workmanship and material quality beyond that of most competitive cameras available during its short production run. It had the advantages of the FM and FM2n, generally regarded as two of the most reliable cameras ever built (both in terms of operation under extreme conditions and in day-to-day reliability reports from repair shops and magazine surveys). The FM3A has an extremely strong body of copper silumin alloy. The electronics are not only well protected within the body but are of extremely high quality, including the flexible circuits.

The camera's film transport consists of strong, hardened metal gears and moving parts, mounted on clusters of low-friction ball bearings. The modern vertical metal shutter uses precision-tapered strong aluminium alloy blades and oilless self-lubricating bearings. A roller bearing assists film transport. The guide rails are wide, precisely machined and made of stainless steel. The mirror frame is titanium and very solid. The mirror uses the same mechanism found on the Nikon F2, with some modern improvements designed to further reduce effects of vibration and mirror bounce.

The FM3A, like older Nikon SLR cameras, has a close-tolerance, low-friction design requiring minimal lubrication, and so can reliably operate in temperature extremes of -40C to +50C. This zealous workmanship has a practical side: Nikons have accompanied more photographers to extreme environments — the summit of Mount Everest and the depths of the Saharan Desert — than any other SLR camera.

The FM3A has a hybrid shutter that operates either mechanically or electronically. In manual mode it is mechanically timed, from 1 to 1/4000 second, T, and B. In automatic-exposure mode when electronically timed, it steplessly selects shutter speeds from 1 – 1/4000 second. Either way the camera employs Nikon's standard 60/40 center-weighted TTL metering, and has TTL flash metering with a sync speed of up to 1/250 second. There is an AE lock button on the back of the camera and a Flash Compensation button on the left of the lens mount. The FM3a has a self-timer which automatically raises and locks the mirror before the exposure is made, a hot-shoe, and a PC connection. The camera uses a standard cable release, and is the first manual-focus Nikon SLR to have automatic DX (as well as manual) film speed indexing. The film speed can be read off the film canister through a transparent window on the back of the camera.

Operation

Manual operation

The meter of the camera is switched on when the film advance lever is moved away from the body and the shutter lightly depressed. It cuts itself off in about 15 seconds. In manual mode exposure is set by matching the thin smoothly swinging needle in the left of the viewfinder with the wide translucent blue bar that indicates the selected shutter speed. In this ingenious finder, it is easy to see the number of stops by which the camera is over or under the correct exposure. The only metering pattern available is the old standard Nikon 60/40 pattern. As with many Nikon SLR cameras, the selected F-stop can be read right off the lens in use through the Aperture Direct Readout (ADR) at the top of the viewfinder. Like the FM2n and its predecessors the FM3A allows manual operation with a fully mechanical shutter. If the batteries die in an FM3A, the photographer still has full use of every shutter speed marked on the dial.

AE operation

Like the FE and FE2 the FM3A is also capable of aperture-preferred auto exposure control. The photographer selects "A" on the shutter speed dial, switches on the meter in the normal way, and selects the F-stop on the lens, and the camera body selects the shutter speed steplessly. Shutter speeds are indicated by the thin needle that swings up and down the scale on the left of the viewfinder. Again, the aperture is visible thorough the ADR. This mode also uses the 60/40 center-weighted metering.

The highest shutter speed in the AE range is 1/4000, but slow speeds extend well below the 1 second marked in the viewfinder, as long as the camera is in AE mode. (In manual mode, speeds slower than 1 second require use of 'B'. This is a departure from the FE2, which like the F3 allowed manual selection of shutter speeds up to 8 seconds.) The FM3A's electronic operation is silent during long exposures, except for the noise of the shutter opening and closing.

The AE automation of the FM3A provides simple convenience in taking photographs in fluid situations, while still allowing some control by the photographer. Though Nikon has long since adopted other automatic exposure modes — including shutter priority, program, and variable program — many photographers still find the simpler semi-automatic AE feature of the FM3A appealing.

Flash

Another FM3A innovation over earlier FM/FE models was in flash operation. The camera adds TTL flash, not found on its predecessor the FM2n, as well as more control to the TTL flash capabilities of the old FE2. Any Nikon TTL flash from a old SB-15 to the latest SB-800 can be used on the camera. In 'A' mode the FM3A automatically switches to 1/250 second shutter speed and measures the flash through the lens. In manual mode the FM3A is ready to measure the flash in TTL mode, but it also continues to meter normally, allowing the photographer to select any speed from 1 second to the top flash-sync speed of 1/250 second. Held down as the subject is metered and photographed, a Flash Compensation button to the left of the lens mount will automatically apply a compensation of -1 EV to any mounted Nikon-compatible TTL flash as it fires. Both Nikon and third-party flash units can be mounted in the FM3A's hot shoe and used in manual or non-TTL auto modes. When mounted, a compatible flash will activate a ready light in the viewfinder. An LED light also glows steadily when the flash is ready, and blinks once after the flash is fired and correct exposure is achieved. The FM3A signals underexposure by blinks of the LED in rapid succession. The FM3A does not have all flash capabilities of modern AF cameras, such as the ability to program flash compensation into the flash itself.

Accessories

Like the FM2n and FE2, the FM3A is designed to mate with the old MD-12 motor drive. It also takes the full range of other accessories available for compact Nikons including diopter correction lenses, a data back, bellows, extensions rings, flash units, and interchangeable focusing screens.

Lenses

The FM3A can use the full range of Nikkor AI, AIS, P, AF, and AF-D lenses. In AE mode the FM3A can mount and use a G lens, and gives a bright full aperture image but actually operates at the smallest aperture of the lens. You can only correctly expose pictures with 'stop down' metering and AE lock to hold the metering when the exposure is taken. Unlike the original FM and FE cameras, the FM3A cannot mount non-AI lenses unless they have been converted to AI specifications. Mounting a non-AI lens can cripple or damage the camera by binding the metering tab, and this is made more problematic with Nikon's Perspective Control lenses — the 35/3.5 PC cannot be used at all. Earlier versons of the 35mm F2.8 and 28mm F4 may or may not fit and operate properly, though later versions of both lenses work acceptably.

The FM3A was frequently sold as a 'kit' camera with a 45mm F2.8P lens, reportedly a Tessar formula. An article in the March 2002 issue of Popular Photography Magazine called the 45mm F2.8 one of the best 35mm normal lenses ever tested. It is a superb lens, compact and sharp, and it looks great on the camera, especially with its unique convex hood.

Market Value

Because of its versatility and ability to function in both electronic and mechanical modes, the FM3A is desirable and holds value in the used marketplace. The FM3A was itself a response from Nikon to the FE2 and FM2's increase in values after their discontinuance coinciding with the introduction of auto-focus cameras. After the emergence of digital cameras, Nikon then discontinued the FM3A, leading to a similar effect. According to one vendor's estimate tool, a used FM3A in good working condition can cost in excess of $650.00.

Conclusion

The FM3A appeals primarily to photographers interested in full control over their photography, as well as reliability and durability in a camera to be used hard out of doors. The camera's classic metal construction also attracted customers wanting a camera built to earlier generation standards. It was no coincidence that photographers devoted to cameras such as the Leica M also found the FM3A attractive. Nikon was rumored to be considering a digital successor to this "modern classic", though this has not yet (early 2007) happened. Though FM3A sales remained steady, they were miniscule compared to Nikon's other cameras, and increasing costs led Nikon to announce it was discontinuing production and sale of the FM3A on January 11, 2006.

Notes

  1. The name officially used by Nikon has the capital letter "A" in a smaller font than "FM3". The name is commonly written "FM3A" or "FM3a".

Links

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Nikon 35mm SLR Cameras
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Japan Camera Grand Prix
Camera of the year

1984: Nikon FA | 1985: Minolta α-7000 | 1986: Canon T90 | 1987: Canon EOS 650 | 1988: Kyocera Samurai | 1989: Nikon F4 | 1990: Canon EOS 10 | 1991: Contax RTS III | 1992: Pentax Z-1 | 1993: Canon EOS 5 | 1994: Minolta α-707si | 1995: Contax G1 | 1996: Minolta TC-1 | 1997: Nikon F5 | 1998: Pentax 645N | 1999: Minolta α-9 | 2000: Canon EOS-1V | 2001: Minolta α-7 | 2002: Canon EOS-1D | 2003: Canon EOS-1Ds | 2004: Nikon D70 | 2005: Konica Minolta α-7 Digital | 2006: Nikon D200 | 2007: Pentax K10D | 2008: Nikon D3 | 2009: Canon EOS 5D Mark II | 2010: Olympus Pen E-P1 | 2011: Pentax 645D | 2012: Nikon D800 | 2013: Sony DSC-RX1 | 2014: Nikon Df | 2015: Canon EOS 7D Mark II | 2016: Sony α7R II | 2017: Olympus OM-D E-M1 Mark II | 2018: Sony α9 | 2019: Lumix S1R | 2020: Sony α7R IV | 2021: Sony α1 | 2022: Nikon Z9 | 2023: Sony α7R V

Special Prize
1990: Konica Kanpai | 1991: Fuji Cardia Travel Mini Dual-P | 1992: Konica Hexar | 1993: Nikonos RS | Sigma SA300 | 1994: Olympus µ[mju:] Zoom Panorama | 1995: Ricoh R1 | 1996: Fujifilm GA645 | 1997: Canon IXY | Contax AX | 1998: Olympus C1400L | 1999: Nikon Coolpix 950 | Tamron AF28-300mm F3.5-6.3 LD Aspherical IF MACRO lens | 2000: Nikon D1 | Konica Hexar RF | 2001: Bronica RF645 | Fujichrome 100F/400F film | 2002: Minolta DiMAGE X | Nikon FM3A | 2003: Fujifilm GX645AF | Hasselblad H1 | 2004: Canon EOS Kiss Digital | Sigma 12-24mm F4.5-5.6 EX DG Aspherical HSM lens | 2005: Nikon F6 | Epson R-D1 | 2006: Ricoh GR Digital | Zeiss Ikon | 2007: Sony α100 | Adobe Lightroom software | 2008: Sigma DP1 | Fujichrome Velvia 50 film | 2009: Panasonic Lumix DMC-G1 | Casio EXILIM EX-FC100 | 2010: Sony Exmor R sensor | Canon EF 100mm F2.8L Macro IS USM lens | 2011: Fujifilm X100 | Epson MAXART PX-5V (R3000) printer |

Editor
2012: Sony NEX 7 | 2013: Canon EOS 6D | Sigma DP1 / DP2 / DP3 Merrill 2014: Olympus OM-D EM-1 | Canon EOS 70D | Ricoh Theta